All Events
Race Matters Series
Unbreakable Resolve: Building Free-Dem Foundations in New Orleans Jerome Morgan, Robert Jones, Daniel Rideau
MCC Lounge
Jerome Morgan, Robert Jones, and Daniel Rideau will lead a powerful discussion about the prison system and incarceration. They were all wrongly convicted and served a total of more than fifty years in Angola Prison before being found innocent. While in prison, they made a pact to someday reunite and go into business together as free men. They enrolled in prison education programs, learned trades, and studied law. They stuck together and worked with allies outside the prison. Today, through their work with Free-Dem Foundations, a non-profit community-based youth organization in New Orleans, they are realizing the vision they created while unjustly incarcerated.
Music Performance
UCSB BRASS ENSEMBLES PRESENTS…
Directed by Steve Gross, the Maurice Faulkner Brass Quintet and the Suzanne Faulkner Horn Ensemble will present repertoire from the Renaissance to modern jazz. The groups perform on horn, trumpet, and trombone.
Cup of Culture Series
OffCenter
MCC Theater
OffCenter is an experimental documentary emphasizing the attitudes and experiences of unconventional African American, Latinx, LGBTQ people in Texarkana, a twin city in East Texas and Arkansas. It explores the racial, sexual, and gender identity of five main interviewees rebelling against Southern conservatism. OffCenter portrays the existence of marginalized people, their encounters with racism, sexism, homophobia, transphobia, and internalized oppression. Post-film discussion with the director Aylin Sözen, and cinematographer Cesar Jaralillo to follow. 1h 18m
Honeypot: Black Southern Women Who Love Women E. Patrick Johnson
MCC Theater
E. Patrick Johnson is the chair of African American Studies, Carlos Montezuma Professor of Performance Studies, and African American Studies at Northwestern University. As a scholar and artist, Johnson performs nationally and internationally and has published widely in the areas of race, gender, sexuality, and performance. Johnson’s performance work dovetails with his written work; this performance/staged reading is based off his latest nonfiction text titled Honeypot: Black Southern Women Who Love Women.
