All Events
American Indian Heritage Month Art Exhibit
The Black Sheep Art Collective: A Conversation with the Artists
MCC Lounge
As members of the Black Sheep Art Collective, Avarian Chee (Diné), Jeff Slim (Diné), and Cy Wagoner (Diné) have promoted local talent through summer youth programs around the Navajo reservation with mural workshops and assembling art shows. Their work is filled with memories of stories read, heard, and experienced; stories of beauty and strength that come inspired by youth; and memories of childhood, authors, and father figures.
Co-sponsored by the EOP American Indian Cultural Resource Center; American Indian Graduate Student Alliance; the American Indian Science and Engineering Society; and the American Indian Students Association.
An Evening of Sacred Music and Dances from Japan Kagura Ensemble of Chichibu Shrine
MCC Theater
A unique opportunity to experience Kagura (sacred music and ritual dances) from Chichibu, an important Shinto mountain shrine near Tokyo, in the first and only US performance of the shrine’s Kagura troupe. Chichibu Kagura, dating back to approximately the seventeenth century, with a repertory based on ancient myths, has been designated by the government as an Important Formless Folkloric Cultural Property. Organized by the East Asia Center; East Asian Languages and Cultural Studies; the International Shinto Foundation Chair in Shinto Studies, UCSB; the International Shinto Foundation, New York; and Shinto Kokusai Gakkai. Tickets $5 UCSB students/$15 general.
Contact the A.S Ticket Office at 805-893-2064 or click here for general admission tickets on-line. Limited seating.
Race Matters Series
Asian American Cultural Production Via the Internet L.S. Kim
MCC THEATER
Among the top 100 YouTube channels, a stunningly high number of YouTube celebrities are not who you might expect them to be: Asian American. What makes on-line environments, both in terms of production and consumption, a distinctly different realm for racial discourse? It is no coincidence that alternative media forms and more directly, counter-hegemonic perspectives, are being created, fed, circulated, grown by performers of color via the Internet. At the same time, how is the border between margin and center not 'crossed' but rather dis/integrated by producer-artists who manage their on-line status, forging a different – and successful – system of fandom and stardom? In what ways can on-line self-production enable new terms for race and racial representation? L.S. Kim is a Visiting Associate Professor from the Department of Film and Digital Media at
UC Santa Cruz; her book, Maid for Television: Race, Class, and Gender on the Small Screen is being published by NYU Press in 2013. Co-sponsored by the Asian American Studies Department.
Cup of Culture
The Mosque in Morgantown
MCC THEATER
This riveting Emmy Award nominated documentary follows one woman’s campaign for change against extremism in her West Virginia mosque, throwing the community into turmoil and raising questions that cut to the heart of American Islam. Discussion following the screening. Brittany Huckabee, 54 min., 2009, USA.
Co-sponosored by the Center for Middle East Studies.
